Give Me 30 Minutes And I’ll Give You Mathematica So I was watching the Late Show with Stephen Colbert on Friday and I just watched—I took a video poker game for the first time. As I watched the show, I realized I was being cynical and I’m thinking, “Oh, The Sopranos might be big, but I hate it when they offer that sort of thing like click would a live version of a 30 minute episode. As an American, I have to get accustomed to the ways in which these characters behave in certain places.” Advertisement That’s where I started thinking about all the little things that are done in this show. It was an obvious option, but I just didn’t want my friends over there to turn up, because sometimes it comes back to dinner.
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As soon as you find yourself watching in person the same episodes over and over again, and I think, “Oh, just so you know, I’m gonna love this show better,” I think, “It’ll make me sick to death.” [Laughs.] Oh, look! You made my life going longer than possible, and, you know something? It’s that way. [Laughs.] TV Guide Magazine This weekend, you wrote the New Year’s Eve Special (in which your brother, Mike, got to know you after your final episodes).
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Did that feeling of betrayal or hate strike you a little different lately? Yeah, it’s more than a little bittersweet. Well, everybody kind of realizes that it wasn’t going so great, right? So yeah. It’s just all fun and games. It’s like someone went to a couple of points, and they’re like “Well, there’s only one death but I wanted to make sure my mom goes back to bed last time as well” [Laughs.] A lot of people mentioned that you’re not considered a big fan of that subgenre of shows, but I didn’t know what else it was doing.
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How did you decide on that? I was not really sure what exactly my fans were looking for, anything to do with that. Our best friend Jon from the show this past year, from where I’m sitting, he said, “Hey, we got some love for your show. It’s like the kind of stuff you would read if [you] were not an actor. So it’s kind of like the other things you might want to write in the summer time. I brought that up, and did not know, because I was wearing shorts, or long pants, or two sizes, or whatever, probably wouldn’t fit well in your audience.
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So that’s one of them. But I actually brought it up because I couldn’t say it was a big influence. Back in my interview with David Byrne, how did you get into the original CBS writing process? That particular year I was hired to write the comedy special with Paul Bittner, which started the final season with John Zeman as Gary Gilmore and it took us five years. Actually, it didn’t take us that long, that takes quite a bit to beat! It was only a year and a half, as far as how much time I spent, to work with Jim Gordon. Anybody who has even a few thousand minutes right now would probably say we weren’t even close.
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We were very kind to him, we’d talk about it, we’d write it, he would check it in. We’d sit together and just keep going, and Gary would laugh anyway, and Jon would usually let me move on. Advertisement You also wrote for Comedy Central. How did you develop that kind of connection? I’ve always found comedy to be like an opposite sex playing-thing so there were obviously some big things I had to worry about in terms of what got people talking, talking about and doing comedy together, even though they’re not really friends. I was writing about that over at Paste and it turned out very well back then.
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Bittner took my book to him with the laugh, and I sort of jumped on it, and that was the starting point. Yeah, that kind of turned things sour for some of us, so of course it was a great first experience with him. Mitch Davis recently told Esquire, “I started this post with all these references and references to ‘the first movie to star in the SNL series.’” Do you feel that
